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Article by Leo Zagami
On the 15th of October 2021, Italy brings in the strictest COVID-19 measures in Europe, courtesy of the ever so Orwellian and oppressive Italian government, requiring all workers, in both the public and private sectors, to have a Green Pass.
The Green Pass is a vaccine passport in a digital or paper certificate format that shows people have been vaccinated, tested negative, or recovered from Covid-19. From this Friday, the Green Pass vaccine passport will be compulsory for all workers in Italy, who will face hefty fines or suspension without pay if they are caught violating the new rules that are reminiscent of this passage from the Apocalypse of John:
So that no one can buy or sell unless he has the mark, that is, the name of the beast or the number of its name.Revelation 13:17
Last week, violent protests erupted in Rome over such requirements, and even as Italy reaches its vaccination goal of 85% of the population, the government has no intention of stopping their increasingly draconian measures. There is something profoundly evil going on, that goes well beyond the current sanitary dictatorship that is happening all over the world, and that’s the direct involvement of Satan, the Vatican, and Freemasonry.
On October 15, 2021, the “Inferno” exhibition conceived by Freemason Jean Claire pen name Gérard Régnier, an art historian, art conservator, and a member of the Académie française since May 2008, will open at the Scuderie del Quirinale, part of the Quirinale Palace (Italian: Palazzo del Quirinale one of the three current official residences of Sergio Mattarella the President of the Italian Republic.
The exhibition that comprises of more than 200 artworks from over 80 museums, public collections, and private collections from Italy, the Vatican, and across Europe, officially marks not the beginning of Italy’s vaccine passport nightmare, but another important milestone, the 700th anniversary of the death of 14th-century writer Dante Alighieri, the creator of Inferno (Italian for “Hell”) the first part of Dante Alighieri’s 14th-century epic poem Divine Comedy, that is is followed by Purgatorio (Italian for “Purgatory”), and Paradiso ( “Paradise” or “Heaven”).
In this exhibition that will remain open until January 9, 2022, the choice went to the first part of his Divine Comedy, and one of the most anticipated pieces is the plaster version of the monumental 23 foot high “The Gates of Hell,” a sculptural work by French artist Auguste Rodin that was transported to Rome by the Coubertin Foundry in Paris with a special truck. The operation requires an exceptional organizational effort at the Scuderie del Quirinale. “The Gates of Hell” which cost Auguste Rodin thirty years of work and hosts 186 characters depicts the first section of Dante Alighieri’s Divine Comedy.
During the show’s first weeks, visitors will also be able to gaze into the Abyss of Hell by Botticelli, on loan from the Vatican, of course. There are also other masterpieces in this demonic exhibition put together by French curator Jean Claire, by such artists as Beato Angelico, Bosch, Bruegel, Goya, Manet, Delacroix, Rodin, Cézanne, Richter, and Kiefer.
The claim that vaccine passports are potentially the mark of the beast has been mocked by leftists and Satanists, but reality will unfold in front of our eyes in Italy from October 15, 2021 just as it happened earlier with the arrival of the statue of Moloch at the colosseum two years ago when the plandemic was already spreading in China.
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Leo Zagami is a regular contributor to Infowars and the author of the groundbreakingbook Confessions of an Illuminati Vol. 6.66 The Age of Cyber Satan, Artificial Intelligence, and Robotics
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